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MFA in Interdisciplinary Arts

Community-Based Practicum Examples
Cory Wanamaker

Bring Rocks: a community art project

For my practicum I created an outdoor amphitheater in my community, Manheim, Pennsylvania. The amphitheater is made of rocks from the land of local community members. The piece has been built using only community volunteers. It is located in a local park and maintained and financed by the community and local businesses.

 

The "Bring Rocks" project has taken off like a shot. Unbelievable how the community members are gathering around to support this project. The first presentation was with the MCREC. Less than a week passed before I had the next meeting with the property committee, and they were offering me a piece of land to put the project on. During this meeting, which took place on the proposed site, I met the Manheim Borough Zoning Officer, members of the Property Committee, Public Relations Officer for the Farm Show, Township Supervisor of Grounds, and the Social Superintendent of Grounds. Everyone had already been briefed on the project via phone calls. I didn't have to explain what I wanted to do. It was obvious that they were excited about having this project.  I was then asked to come and speak about the piece at the next Borough Council meeting the following week as well as the Manheim Farm Show meeting two weeks later...

 

There was also solicitation to local businesses for either financial backing or distribution of fliers. I spent an afternoon pitching the idea to about a dozen local businesses. I got a resounding yes from all of them....

 

I began working through the project using sketches, writing and proposals. My growth with the piece during it's origin and development constantly raised new questions. How does this relate to me as a concerned viewer of our social climate? What symbolism do rocks have? Why this connection to this medium? Can the community in which I live accept this idea of a gift of art? What would happen if they do not? 

 

Collection of the rocks took place during the local farm show. The stand was donated by the farm show board. Students, colleagues, friends, and family manned the booth. They handed out flyers as well as collected and cataloged the rocks. I developed a recording process for maintaining a log of rocks. It included the name of the individual who the rock was either donated for or by. People donated the rock in the name of a loved one, their family, themselves, and even their pets. The next section was for the address, either people's home or the address that the rock came from. The rocks also received a number. The final section was for a description of the rock. Some people gave a history of the rock, others gave the type of rock or the date of the building that the rock was from.

 

The rocks were collected in a dumpster donated by a local refuse company. During the first day of collection the school district mailed a public notice in the district newsletter. We collected about 20 rocks. By Wednesday evening, we had a total of 64 rocks. This was not the turnout I was hoping for. I was beginning to think that people thought we were looking for money. When we would ask someone if they wanted a brochure, they wouldn't look at us. During the day on Wednesday the Lancaster News released their article in the morning paper. When I got to the booth to work around 3:00 the local NBC News affiliate was waiting for me. The interview was played on the 6:00 evening news with a portion rebroadcast on Thursday morning. By Thursday evening we had collected over 170 additional rocks for he project. People were literally flocking around the stand with rocks. This continued through Friday evening. We ended with a total of almost 500 rocks. I had hoped for 300.

 

Rock Stories

  • I.C. Vetrano donated a rock (#435) that is a piece of limestone from a farm which dates back to the 1800's.
  • Mike and Mabel Bram donated rock (#329) that was a piece of a step from a home which dates back to 1857. The rock was used as a base for their camper, so it has traveled over the eastern part of the US.
  • Charles George donated two circular rocks (#73, #74) that were a part of the original Elstonville mill. One rock was donated in his name and the other was donated for his departed wife.
  • The H. C. Burgard Elementary School donated a rock (#118) that was a piece from the original H. C. Burgard Elementary School. 

Ground breaking happened on September 7, 2001. Once the footer was poured we began the process of getting block. A local block company donated the material. We needed 270 twelve inch blocks and 45 twelve inch caps. We had rain for two days and the trench filled with waters. Still the project keep moving forward.

 

A gentleman approached me and asked if I needed any more big rocks. He was President of B. R. Kreider and Sons Excavating, the largest company in our area. He offered not only to get me enough large rocks to set behind the stage but to coordinate, collect and set the large rocks I had collected. I told him that I had been telling people all week that we have the rocks, but I need someone to get them here for us. Crazy how it all comes together.

After the big rocks along the perimeter were raised, the footer set, and the stage groomed and formed we were ready for the rocks. When we got to the site, I gathered everyone together to thank everyone and talk a little bit about how each of these rocks came from families and places of meaning. I also told them the importance of keeping track of where each rock was placed. The first challenge of the day was getting all of the rocks out of the dumpster and placing them in order.

 

The process stalled when the craftsmen realized that they couldn't put the rocks where they would fit, but rather where they belonged numerically. This was the first time that I felt like I was taking advantage of good people. I think they had the idea of a quick and easy day laying rocks and I had something else in mind. I finally talked with one gentlemen on the side and asked him nicely to please understand why it was important for people to know where their rocks were.

 

Approximately thirty minutes after our discussion a woman and her grandchildren showed up to see where their rocks had been placed. We were able to show her because the numbers had been catalogued and mapped. That moment explained the reason for all the details that we were taking the time to pay attention to. I can't help but mention how those type of things happened throughout the entire piece.

 

The practicum has enabled me to achieve a new awareness of my place as an artist and community member. I am enamored by the idea of this piece holding all of the history, memories and collaboration of community members. I feel as if someone has given me the key to the history vault and it has been my job to make something respectable for the community. I am not in a place to evaluate the success of the project, but I could rate the success of the community. They gave unselfishly of themselves, materials, finances, and time, all of which have made the collaboration of the construction a success.

 

I have also learned to define myself as an individual who began as a production based bronze sculptor but who has evolved into a socially conscious, site-specific, landscape artist. I am in the process of learning what I will "call" my art. I am a little bothered by the idea of a label. I have learned that the bond of community and artist have become intertwined because of this project.

 

The process of making this piece has been interdisciplinary. The future use of the project for concerts, theater presentations, and park and farm show functions will bring the community together in an interdisciplinary synthesis. The basis for interdisciplinary art is to involve all areas of the arts, as well as medium outside the traditional definition of art. It is my hope that the community of Manheim will learn to explore these boundaries by using the local attributes of the project as a draw for experiences outside their own traditions.

 

 

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